As covered in the reading and lecture, Wong Kar-wai was not influenced by any one specific film movement or artist. Rather, he focused on creating films that depicted the same types of people and stories, but with drastically unique lighting techniques. His primary emphasis, as opposed to either Ingmar Bergman or Luis Buuel, was aesthetic.
https://youtu.be/3xqTgTQh54MThen, address the following:
What new information was covered in this video essay that was not explored in either the reading or lecture?
What types of meanings can be derived from Wong’s use of desaturated color?
How and why does Wong Kar-wai’s films appear visually unique?